HR 96.0kHz/24Bit 
专辑名称: After Bach
创作艺人: [Brad Mehldau]
音乐流派: Jazz|爵士
专辑规格: 1碟12首
出品公司: Nonesuch
发行时间: 2018/3/9
官方标价: £13.69 （会员免费下载）
域名语言: [en] （AI检测）
曲目介绍：
Before Bach: Benediction
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848
After Bach: Rondo
Prelude No. 1 in C Major from The Well-Tempered Clavier Book II, BWV 870
After Bach: Pastorale
Prelude No. 10 in E Minor from The Well-Tempered Clavier Book I, BWV 855
After Bach: Flux
Prelude and Fugue No. 12 in F Minor from The Well-Tempered Clavier Book I, BWV 857
After Bach: Dream
Fugue No. 16 in G Minor from The Well-Tempered Clavier Book II, BWV 885
After Bach: Ostinato
Prayer for Healing
详细介绍:
Without being a mandatory baptism of fire, Jean-Sébastien Bach has always been a captivating magnet for many jazz musicians. So much so that people like Jacques Loussier, Keith Jarrett, the Modern Jazz Quartet, Dan Tepfer or Edouard Ferlet to name but a handful, all tackled head on, and for good reason, the work of the Cantor of Leipzig . The choice made by Brad Mehldau is a hybrid. The American pianist does not create here a jazz album strictly speaking – fans of Jazzy Bach can go home straight away – but he mixes themes of Bach – four preludes and a fugue – to personal and contemporary pieces; as intriguing answers or mirror games to original works.
The exercise is all the more interesting because part of Bach%27s work took the form of improvisation. As for Mehldau, his style, but also his compositions, have always contained elements echoing the German composer. We know the rhythmic force of Bach%27s writing that appeals to jazz musicians. But here, the pianist has thought through his record in its entirety, never trying to separate his works from that of the other. The result is therefore confusing at first (especially for those familiar with the preludes and fugues of the original) but fascinating above all else. Because After Bach is anything but an impressive show of class (Brad Mehldau does not need that much, his virtuosity as a great no longer needs to be proven) but rather an exciting reflection on the life of a score through the centuries. © Marc Zisman/Qobuz
