HR 96.0kHz/24Bit 
专辑名称: Bach & Handel
创作艺人: [Sabine Devieilhe, Pygmalion, Raphaël Pichon]
音乐流派: Classical|古典
专辑规格: 1碟24首
出品公司: Warner Classics
发行时间: 2021/11/5
官方标价: £9.79 （会员免费下载）
域名语言: [ca][it][fr][de] （AI检测）
曲目介绍：
Mein Jesu! was vor Seelenweh
No. 1, Sinfonia
No. 1, Rezitativ. "Mein Herze schwimmt im Blut"
No. 2, Aria. "Stumme Seufzer, stille Klagen"
No. 3, Rezitativ. "Doch Gott muss mir genädig sein"
No. 4, Aria. "Tief gebückt und voller Reue"
No. 5, Rezitativ. "Auf diese Schmerzensreu"
No. 6, Choral. "Ich, dein betrübtes Kind"
No. 7, Rezitativ. "Ich lege mich in diese Wunden"
No. 8, Aria. "Wie freudig ist mein Herz"
No. 40a, Recitativ. "Ach Gott! mein Sohn wird fortgeschleppt" (Maria)
No. 40b, Duet. "Soll mein Kind, mein Leben sterben" – "Ja, Ich sterbe dir zu gut" (Maria, Jesus)
Act II: "Che sento? O dio!" (Cleopatra)
Act II: "Se pietà di me non senti" (Cleopatra)
No. 42b, Aria. "Hier erstarrt mein Herz und Blut" (Gläubige Seele)
No. 42c, Recitativ. "O Anblick, o entsetzliches Gesicht" (Gläubige Seele)
Act III: "Piangerò la sorte mia" (Cleopatra)
"Pure del cielo intelligenze eterne" (Bellezza)
"Tu del ciel ministro eletto" (Bellezza)
No. 1, Aria. "Jauchzet Gott in allen Landen"
No. 2, Rezitativ. "Wir beten zu dem Tempel an"
No. 3, Aria. "Höchster, mach deine Güte"
No. 4, Choral. "Sei Lob und Preis mit Ehren"
No. 5, Aria. "Alleluja!"
详细介绍:
It almost felt like we were sneaking in, the Pygmalion ensemble and I, that week in December 2020 as we walked through the great door of the church where we were recording. Travel permits and test results were no match for the magic of this music. Bach and Handel sound so soothingly familiar. With this programme, we wanted to express sorrow, repentance, joy and desire through the secular and sacred scores of these two composers. From Cleopatra to the character of the Sinner in the cantata BWV 199, the tears flow, and the soul seeks rest.
They are numerous, these works set against a background of pandemics, to have marked thus the albums recorded these last months. Sabine Devieilhe%27s words from the cover sum up the spirit of catharsis in which the soprano and the Ensemble Pygmalion have recorded this programme. Here we will find Bach%27s religious cantatas Mein Herze schwimmt in Blut, BWV 199 (literally ‘My heart is bathed in blood’) and Jauchzet Gott in allen Landen, BWV 51 (‘Exalt in God in all lands’), as well as excerpts from Handel%27s oratorios Il trionfo del Tempo e del Disinganno, HWV 46a and Brockes Passion, HWV 48 and from his opera Giulio Cesare in Egitto, HWV 17.
Raphaël Pichon conducts a Pygmalion alert to the sharp entries, drawn out by Sabine Devieilhe%27s heartbreaking, sublime voice. The emphasis is on the theatrical impact of the texts; this is particularly compelling in the cantata Mein Herz schwimmt in Blut. Devieilhe was not wrong when she said that the tears flow and the soul seeks rest. One can sense the precision of the work undertaken for the timbre of each instrument, in particular for the organ which explores unexpected but pleasant tones in its sharp upper register.
The performance of baritone Stéphane Degout—who joins the ensemble for the duet “Soll mein Kind, mein Leben sterben / Ja, ich sterbe dir zu gut” taken from the Brockes-Passion—is, however, less convincing, but perhaps this is due to Devieilhe%27s sunlit presence that is difficult to rival. © Pierre Lamy/Qobuz
