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专辑名称: Bach: St. John Passion, BWV 245
创作艺人: [John Eliot Gardiner – English Baroque Soloists – Monteverdi Choir]
音乐流派: Classical|古典
专辑规格: 1碟40首
出品公司: Deutsche Grammophon (DG)
发行时间: 2022/3/4
官方标价: £11.19 （会员免费下载）
域名语言: [de] （AI检测）
曲目介绍：
No. 1 "Herr, unser Herrscher"
No. 2 "Jesus ging mit seinen Jüngern"
No. 3 "O große Lieb, o Lieb ohn' alle Maße"
No. 4 "Auf daß das Wort erfüllet würde"
No. 5 "Dein Will gescheh, Herr Gott, zugleich"
No. 6 "Die Schar aber und der Oberhauptmann"
No. 7 "Von den Stricken meiner Sünden"
No. 8 "Simon Petrus aber folgete Jesu nach"
No. 9 "Ich folge dir gleichfalls"
No. 10 "Derselbige Jünger war dem Hohenpriester bekannt"
No. 11 "Wer hat dich so geschlagen"
No. 12 "Und Hannas sandte ihn gebunden"
No. 13 "Ach mein Sinn"
No. 14 "Petrus, der nicht denkt zurück"
No. 15 "Christus, der uns selig macht"
No. 16 "Da führeten sie Jesum"
No. 17 "Ach großer König, groß zu allen Zeiten"
No. 18 "Da sprach Pilatus zu ihm"
No. 19 "Betrachte, meine Seele"
No. 20 "Erwäge, wie sein blutgefärbter Rücken"
No. 21 "Und die Kriegsknechte flochten eine Krone von Dornen"
No. 22 "Durch dein Gefängnis, Gottes Sohn"
No. 23 "Die Jüden aber schrieen und sprachen"
No. 24 "Eilt, ihr angefochtnen Seelen"
No. 25 "Allda kreuzigten sie ihn"
No. 26 "In meines Herzens Grunde"
No. 27 "Die Kriegsknechte aber"
No. 28 "Er nahm alles wohl in Acht"
No. 29 "Und von Stund an nahm sie der Jünger zu sich"
No. 30 "Es ist vollbracht!"
No. 31 "Und neiget das Haupt und verschied"
No. 32 "Mein teurer Heiland, lass dich fragen"
No. 33 "Und siehe da, der Vorhang im Tempel"
No. 34 "Mein Herz, in dem die ganze Welt"
No. 35 "Zerfließe, mein Herze, in Fluten der Zähren"
No. 36 "Die Juden aber"
No. 37 "O hilf, Christe, Gottes Sohn"
No. 38 "Darnach bat Pilatum Joseph von Arimathia"
No. 39 "Ruht wohl, ihr heiligen Gebeine"
No. 40 "Ach Herr, laß dein lieb Engelein"
详细介绍:
Never two without three. With this release on the Deutsche Grammophon label, Sir John Eliot Gardiner offers his third recording of Passion according to Saint-Jean by Johann Sebastian Bach. It comes thirty-five years after his first attempt with Archiv Produktion (1985) and ten years after his incredible rendition with his Soli Deo Gloria label (2011). The choir is entrusted with the task of building dramatic tension, perhaps even more so than in the Passion According to Saint-Matthieu.
What a choir it is! The Monteverdi Choir is a dramatic presence here, and they are breathtakingly captivating. The chorales are majestically brought to life using intricate polyphonic textures with incredible readability; the beautiful lines, subtle nuances and diversity of the German verb inflections almost demand admiration. The choir perfectly captures every inch of expressive matter contained in Wer hat dich so geschlagen (No. 11). Later, at the heart of the rendition (und die Kriegsknechte flochten eine Krone von Dornen, Die Jüden aber schrieen und sprachen), the choir reaches a whole new level. Everything about this sacred drama feels grandiose, majestic and immense, though not without little shades of mischief (Mein teurer Heiland, lass dich fragen).
Just when it feels like the choir has harnessed all its musical power, along come the final two pieces. Ruht wohl, ihr heiligen Gebeine is thoughtfully slow and rejects all unnecessary excess. The music, with its transparent textures, dazzles with its flexible dramatic arc. To our great delight, Gardiner extends this piece to nearly eight minutes. In the final chorale Ach Herr, laß dein lieb Engelein? Gardiner reproduces the compelling sound of his opening chorus. It’s the loud cry of Christianity, of the tender and redeeming love of Christ.
The Monteverdi Choir shines in this rendition. Their fresh take on these pieces succeeds in making Bach’s work feel all the more inexhaustible. This release will cement the Monteverdi Choir as legends. Nevertheless, this release isn’t without its disappointments: the solo vocalists lack expressivity, and the tones are often unremarkable, save for that of the soprano who is quite brilliant. However, these faults soon fade into unimportance. Everything here is to the glory of the choir. © Pierre-Yves Lascar/Qobuz
